导演:
主演:
上映:
未知
备注:
DVD中字
评分:
0.0分
剧情:
与Stefan Uher和Elo Havatta一样,Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》(1964)《尼绒月亮》(1965)和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。 A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called "intellectual" film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak: Muz, ktory luze; French title: L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).
收起
AD:
选集播放:(右边可切换播放源)
倒序播放节点列表
高清线路②1
高清线路③1
高清线路④1
高清线路⑤1
相关影片
热播
正片
热播
欧文·泰格 弗蕾娅·艾伦 凯文·杜兰 彼德·梅肯 威廉姆·H·梅西 艾卡·达维尔 特拉维斯·杰弗里 莉迪亚·佩克汉 尼尔·桑迪兰兹 迪辰·拉克曼 拉斯-塞缪尔·瓦尔达布兹 萨拉·怀斯曼 卡琳·考诺娃 尼娜·加拉斯 Olga Miller Zay Domo Artist Dmitriy Miller Anastasia Miller
故事设定在“猿流感”病毒蔓延全球的背景下,人类几近毁灭,而进化为高级智慧生物的猿类一跃成为食物链顶端的王者。时移世异,暴虐的猿类首领赛撒(凯文·杜兰 Kevin Durand 饰)在一片废墟中建立
HD中字
热播
完结
热播
完结
正片
正片
正片
正片
正片
正片
正片
正片
正片